* I N T E R V I E W   A R T I C L E
F R O M   ' L A   O P I N I O N '


This interview with Trini was published on 23 December 1994,
on the eve of release of Little Women, in the Spanish-language
L.A. newspaper "La Opinion". Thanks to Cristina Hirayama
for assistance in translating the article text into English.


Camara in Hollywood: Trini Alvarado, a Latin actress without limits on her characters

By Jorge Camara, special for La Opinion.

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HOLLYWOOD - It is usual that when there's an important Hispanic part in a movie, Hollywood delivers it to its big stars like Al Pacino (Scarface and Carlito's Way), Meryl Streep (The House of the Spirits) and Sigourney Weaver (Death and the Maiden), without worrying about authenticity or reasonableness. It is therefore a very pleasant surprise to encounter Trini Alvarado, a young actress of Latin origin who brought to life a pure Anglo-Saxon role in the recently released new version of Little Women.
        In this third and very respectable effort to bring to the screen Louisa May Alcott's classic novel about the problems and virtues of four sisters who live in the East Coast in the beginning of the century. Winona Ryder has the responsibility of the center role of the sisters, Jo, who was previously interpreted by Katherine Hepburn in the 1933 version, directed by George Cukor, and by June Allyson in the 1949 successor, directed by Mervyn LeRoy.
        The role Trini Alvarado plays is of Meg, the oldest sister, who was played by Frances Dee and Janet Leigh, respectively, in the previous versions.
        "I saw a magazine," Trini smiles, "that was selling dolls from Little Women, and described each sister. Amy was the artist, Bess [Beth] the housekeeper, Jo the writer. But Meg was only described as the oldest sister. She is quite, like they say, conservative. She gives a lot of importance to the family, to the laws of the society, to doing things the way expected of her. She is always scolding her sisters. She dreams of having her own family, and she succeeds in this dream."
        Trini confesses that's she's a great admirer of the book and the previous versions of the film, even the television version for children from 1978 with Meredith Baxter, Byrney and Susan Dey.
        "Every time that Little Women was announced in television I was there watching," she admits. "I had seen the film versions with Katherine Hepburn and June Allyson, Elizabeth Taylor and Janet Leigh. And both versions enchanted me, because I like this story. I read the book when I was 10 years old. And when I heard that they were auditioning for this film, I prayed to God, asking for one audition, so that I could say that I had tried."
        "I had taped the Katherine Hepburn version a long time ago," she continues, "and I went to my mother's house to pick the tape to watch and inspire me. It is very beautiful. The style of acting then was different, but I like the film. I also like much about the 1949 version in Technicolor. I really like the Technicolor."
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        Trini was born in New York, her father is Spanish, from Jerez de la Frontera, and mother is a Puerto Rican, her parents make sure not to let her forget the Spanish language.
        "My first language was Spanish," she assures, "My experiences with English were very rare, because when I started to speak it, it was like Spanglish. But later, at school and with TV, I learned English better."
        "I have no sisters," Trini regrets, "that's why when I read the book I liked it so much, because I wanted to have a sister. And now, working in this movie, I got three."
        Trini started her career in the world of performing at the age of seven, dancing flamenco in her parents' dance company. Two years later, she debuted as an actress in the musical Becca, playing later one of the main characters in Joseph Papp's Broadway production, the Runaways.
        Her film debut took place in 1979, when Trini was only 11 years old, in the film Rich Kids. Since then, she has played Diane Keaton's daughter in Mrs. Soffel (directed by the same person who made Little Women, Australian Gillian Armstrong), Bette Midler's daughter in Stella, wife of John Goodman in the biography of the legendary baseball player Babe Ruth, The Babe; besides these, she's had different roles in films such as Times Square, Sweet Lorraine, The Chair, Satisfaction, American Friends and American Blue Note.
        And after appearing as Susan Sarandon's daughter in Little Women, we will see her in a near future as Anjelica Huston's daughter in movie The Perez Family.
        Trini says that it is not important for her if the characters are Hispanic or not. "I like to play all kinds of characters," she points out. "As you know, it's sometimes difficult to find work in this profession. And, thus, I like to play a Hispanic, or Jewish, or whatever, as long as the role character is interesting or the script is interesting."
        "I am Hispanic," she continues, "and Meg, in Little Women, is not a Hispanic, but even so they gave me the part. But I understand the situation, I understand it because sometimes I see a film about Hispanics, where none of actors is Hispanic, and I feel bad about that. I'd feel particularly bad if they hadn't allowed me to audition, when they said that they'd already seen all the Hispanics in Hollywood, which isn't true."
        "It is true," she concludes, "that in The Perez Family there are Anjelica Huston and Marisa Tomei, who are not Hispanics. But there are also various Hispanics in the film, like Alfred Molina, Diego Wallraff, Angela Lanza, Lazaro Perez and Celia Cruz. Marisa Tomei did a very good job, and Anjelica did also. I�ve already seen it, and I believe that The Perez Family is a movie that one will find very charming."

I N T R O D U C T I O N
© 'La Opinion', 12/23/1994
Used by permission.